Four slender columns of light in the corners moodily illuminate (and, just a heads up, occasionally strobe) the sprawling warehouse space. Massive subwoofers boom next to them, while the danciest parts of the music play out in a more focused cluster of speakers in the center of the space. Party/After-Party is the closest thing you’ll find to a late-night club plopped into a mid-day museum. The techno-heavy work makes the jump to the Geffen Contemporary at MOCA, with a slate of live performances to accompany it. In conjunction with the show, the free-to-visit permanent galleries upstairs at the Broad will display works from Haring’s contemporaries, including Jean-Michel Basquiat, George Condo, Jenny Holzer, Kenny Scharf and Andy Warhol.Įnvisioned years before the pandemic but debuted in the throes of it, Detroit DJ Carl Craig’s Party/After-Party turned the basement of New York’s Dia Beacon into a cavernous, empty dance club with slivers of light casting shadows across the floor. Alongside works on tarps, canvases and windows, you’ll find photos of Haring and an homage to Pop Shop, his New York retail shop (much of it set to a soundtrack pulled from the artist’s own mixtapes). View this post on Instagram A post shared by Time Out Los Angeles energetic show opens with a Day-Glo display of paintings and sculptures before moving into a wall-filling gallery of some of Haring’s most recognizable motifs. The specially ticketed “Keith Haring: Art is for Everybody” explores the late New York graffiti icon’s artistic practices as well as his activism, including his work centered on nuclear disarmament, anti-Apartheid movements and the HIV/AIDS crisis. Now, the Broad is examining that body of work in a museum setting (for the first-ever time in L.A.) with this display of over 120 artworks and archival materials. View this post on Instagram A post shared by Time Out Los Angeles Haring’s colorful, energetic designs-like his barking dogs or crawling stick figure-like radiant baby-have moved well beyond the world of street art over the past four decades and ingrained themselves as instantly recognizable pieces of pop art. As for the theater itself, which is due to be renovated in phases starting later this year, you’ll find it on the second floor of the shopping center at 8000 West Sunset Boulevard. At $17.50 for a weekday matinee and $25 for a weekend evening, you’ll be paying a slight premium over a typical multiplex that grants you access to all of the photo ops, though if you want a T-shirt you’ll need to opt for the premium experience ($50, with a concession combo included). The experience runs from June 15 to 30 (though there’s a chance some of the Asteroid City theming will stick around once the theater commences its regular programming). As far as theming goes, you’ll find a handful of costumes and charmingly-assembled photo ops pulled straight from the film: You can gaze out through a desert cottage window, squeeze into a phone booth and step up to a lectern inside a crater. The new Landmark Theatres Sunset (the former Sunset 5 along the West Hollywood border) is devoting all five of its screens to Asteroid City and has flipped its lobby into a recreation of the film’s fictional town and 1950s-style luncheonette. Wes Anderson’s latest is a witty, wise and heart-stirring sci-fi flick, and you can step inside a recreation of its fictional 1950s desert town during this screening event.
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